Archives par mot-clé : photographie

CfP Private Albums WWI

Organizers: Prof. Nicole Immig, Alexander Bonk (JLU Giessen)
Photo Albums and the First World War in East and Southeast Europe (1912–1923):

Medium–Memory–Object

(Workshop JLU, 19–20 Nov. 2026)

Numerous photo albums and collections from the two World Wars are held in German archives alone—often poorly inventoried or insufficiently processed. The number of albums forgotten in private hands on attics, in basements, or in boxes is almost impossible to estimate. We do not know how many albums were discarded due to ignorance, lack of interest, lack of space, or shame. At the same time, photography is still rarely taken seriously as an independent primary source in historical sciences. Most often, photographs serve as illustrations or as support for what already seems sufficiently proven through textual sources.
However, research such as that by Anton Holzer on the First World War and Petra Bopp on the Second World War has long demonstrated the value of photography for both military and cultural/art history. For instance, photographs—and private albums in particular—help to
reconstruct the daily lives of combatants and civilians, provide insights into local frontline developments, devastation, and environmental destruction, as well as gender relations. They also illuminate, for example, how people remembered wars and provide insight into why men and women became perpetrators.

At the same time, the First World War marked a decisive turning point in the history of photography and image production. In Western Europe, for many people, the memory of war is primarily shaped by the numerous images of the battlefields. On one hand, warring states began to systematically use official propaganda and documentation material for their war aims, while simultaneously introducing strict censorship mechanisms. On the other hand, portable and relatively inexpensive cameras for the first time enabled the production of a mass of private visual testimonies “from below,” which were often found in private photo albums or collections. Particularly in combination with field letters, diaries, or official documents, such photo collections allow for a nuanced reconstruction of the course of the war. They help to fill knowledge gaps, confirm, supplement, or challenge established (master)
narratives. They contribute to making “forgotten,” marginalized, and research-neglected war theaters in Eastern and Southeastern Europe more visible. Accordingly, the workshop treats the First World War through a broad temporal lens, including the Balkan Wars and the
subsequent conflicts across the Eastern Mediterranean and Eastern Europe.

This workshop aims to focus on private war photo albums and photographic collections of the First World War and to discuss them as sources for the social, everyday, and remembrance of the conflict. Geographically, the focus lies on Eastern and Southeastern Europe. By applying such a regional scope, we address the imbalanced state of research on the First World War, which still contains significant research gaps in many areas. Our objective is twofold: first, to bring visibility to previously overlooked or unexamined collections of war photo albums and to explore their research potential; and second, to create a forum for exchanging research approaches, methods, and challenges, thereby fostering networking between archivists, collectors, and (visual) historians in the field.
We invite PhD candidates to submit abstracts addressing the following topics:
• How do war photo albums contribute to the research of the First World War in Eastern and Southeastern Europe?

• How and through what means do they remember, provide meaning to, and narrate the war?

• What range of regional and social experiences can be identified through the various photo albums?

• What role do materiality and design play?

• What archival material is available in the field of Visual History that has not yet been (fully) processed, has received no attention, and could offer informational potential?

• What role do collection contexts and histories play in official, institutional, and private collections and archives?

• What role do albums play in intra-generational remembering?

• Which research approaches and methods are available to us, and where do they reach their limits?

• How do we interpret what is shown in the context of other materials?

• How do we deal with omissions and lacunae?

• How is “digitality” and digital methods changing the handling of albums and photographic collections of the First World War?

We welcome abstract submissions that engage with the aforementioned themes, as well as other relevant topics. Early career scholars are strongly encouraged to submit abstracts for the conference. The workshop is scheduled as an in-person event for November 19 and 20, 2026, at the Justus Liebig University Giessen. The conference will be held in English.

Submission Guidelines
Abstracts should be 250–400 words and include a title, key arguments, and methodology.
Include a short bio with your submission. Submissions should be sent to
alexander.m.bonk@geschichte.uni-giessen.de by Oct 5 2026. Travel costs and accommodation are provided by the organizers. Please indicate in your application if you need travel support. Admitted participants will be notified in detail by Oct 15 2026 together with information on travel and accommodation. Selected papers will be considered for publication in an edited volume planned for 2027. Our partners are: Herder-Institut Marburg, Giessener Zentrum Östliches Europa (GIZO) and the Südosteuropa-Gesellschaft (SOEG).

Portraits of Unbelonging de Zeynep Devrim Gürsel

Soirée de lancement du livre “Portraits of Unbelonging” en compagnie de Zeynep Devrim Gürsel à la BU des Grands Moulins, 2 juin

 

 

Le laboratoire ECHELLES et l’UFR Études anglophones de Paris Cité ont le plaisir d’organiser la soirée de lancement du livre Portraits of Unbelonging. Photographic Journeys Across Borders (Stanford University Press, 2026) en compagnie de son autrice, Zeynep Devrim Gürsel, anthropologue (Rutgers University) invitée par l’université.

Dans ce livre passionnant, Zeynep Devrim Gürsel retrace l’émigration des plusieurs milliers d’Arméniens ottomans, qui, entre 1896 et 1908, ont choisi de renoncer à leur nationalité ottomane et s’expatrier afin de pouvoir rejoindre les Etats-Unis (procédure du « terk-i tabiiyet »). L’anthropologue retrace cette émigration à partir des photographies retrouvées dans les archives ottomanes (et commandées par l’Etat ottoman) et de photographies familiales, afin de mettre en évidence comment cette documentation exceptionnelle symbolise tout à la fois les liens et les ruptures dans ces parcours individuels et familiaux.

Rendez-vous de 17h30 à 19h dans la galerie située au 2ᵉ étage de la bibliothèque universitaire Grands Moulins (Campus des Grands Moulins, 5, rue Thomas Mann, 75013 PARIS).

L’entrée est libre dans la limite des places disponibles.

Appel à contributions : Numéro 99 de la revue Histoire de l’art

Appel à contributions pour:

Revue Histoire de l’art | No 99 : La photographie en modèle
Un modèle épistémologique et théorique pour l’histoire de l’art, l’archéologie, les sciences

Date limite pour le dépôt des propositions : 15 juin 2026

Contact: revueredachistoiredelart@gmail.com

👉Télécharger l’appel

👉 En savoir plus

Coordinateurs : Guillaume Biard (École française d’Athènes), Arianna Esposito (université Bourgogne-Europe) et Dominique de Font-Réaulx (musée du Louvre).
Secrétaire de rédaction : Delphine Wanes.

Les synopsis, comprenant une présentation du sujet problématisé (1 page), une bibliographie sommaire sur le sujet et une biographie de l’auteur (500 signes), sont à adresser sous forme de fichier PDF unique par courriel à l’adresse revueredachistoiredelart@gmail.com pour le 15 juin 2026 au plus tard.
Les propositions seront étudiées par le comité de rédaction.
Les projets retenus feront l’objet d’articles (30 000 signes) à remettre pour le 12 octobre 2026.

Appel à candidature – International spring school – Research in urban settings: the challenges of ethnography

Research in urban settings: the challenges of ethnography
International Spring School

When: March 30 – April 3, 2026

Where: Athens

Deadline for application: December 5, 2025 (midnight Greek time)

Contact : dir.moderne@efa.gr    

Download the call for participation (EN) | Télécharger l’appel (FR)

Institutions partenaires:

  • École française d’Athènes
  • Panteion University
  • EKKE

The world, now defined across the globe as “urban”, is indeed an anthropological subject in the broadest sense. This spring school, entitled “The challenges of ethnography”, aims to demonstrate the place, role and challenges of such an approach in the field of urban studies. The aim is to understand what makes the city a major anthropological phenomenon, namely the production of urbanities.
Three axes will form the approach developed during this spring school: an analysis of ethnographic methods, the importance of comparison and, finally, on writing. We will begin by examining urban studies through the lens of the ethnographic method. How do current urban contexts lead us to reconsider the very notion of “fieldwork” and critically re-evaluate the methodologies implied? Moreover, ethnography raises questions in relation to the researchers’ role, the way he/she creates and/or shares knowledge. Ethnography also addresses the conditions of urban knowledge production, the so-called savoir urbain, the questioning of “situated knowledge” and how the fieldwork experience can provide a unique perspective. We will then argue for comparison, which alone allows us to understand urban worlds both in their particularity and universality: this is obviously not related to a long- outdated division; comparing does not imply judging certain cities against other urban areas. Numerous new and micro-scale ethnographies, conducted “here” and “there”, have clearly demonstrated the heuristic qualities of the ethnographic approach, embedded in a comparative perspective for constructing a renewed conceptual framework. The contribution of ethnography to understanding the ways in which “worlds are made”, at the center and on the outskirts of contemporary cities, is well established.
Thinking about ethnography reflects also on its “writing” in relation to the experience of the “field”: many researchers are experimenting with “alternative forms of writing” – images and sounds in particular. We will examine the extent to which these new forms of storytelling can also be used in urban studies. How can these forms of narrative production challenge hegemonic narratives? Multiplying voices and perspectives seems to be not only characteristic of these new writings, but also the necessary condition for a shared anthropology, anthropologie en partage.
|By combining lectures and workshops, we seek to stimulate reflection on the city, starting from a unique urban environment, the one in Athens, and rooting it in a comparative perspective, in the Balkan region and more broadly. The aim will be to examine different approaches to the urban environment, its “writing” and its restitution. This approach will enable participants to design collaborative projects based on ethnography, choosing the narrative form they feel most appropriate for restituting the urban environments studied, as well as their proper experience.

Main interest subjects

  • History of urban anthropology in the Balkans
  • Athens through the eyes of ethnographers
  • Comparative perspectives in urban anthropology
  • Pathways and attachments in the city
  • Alternative writings of the city
  • Working with images: photography

Organizing and scientific committee

  • Aliki ANGELIDOU Panteion University, Athens, Greece
  • Sophie CHEVALIER Université de Picardie Jules Verne, Amiens, France
  • Gilles DE RAPPER École française d’Athènes, Greece
  • Emmanuelle LALLEMENT Université de Paris VIII, FrancΕ
  • Irini MICHA National Technical University of Athens, Greece
  • Iris POLYZOU National Technical University of Athens, Greece
  • Nikos SOULIOTIS (EKKE, Athens, Greece)
  • Stavros SPYRELIS EKKE, Athens, Greece
  • Gwendoline TORTERAT Université de Picardie Jules Verne, Amiens, France

Course requirements

The spring school will involve from 10 to 15 students enrolling (a) to the last year of their under-graduate studies, (b) in post-graduate and master studies and (3) PhD candidates in the fields of anthropology, sociology and geography.

The working language of the Spring School is English.

Courses and workshops will take place at Panteion University, the École française d’Athènes and EKKE.

Participants must commit themselves for the whole duration of the Spring School. It is expected that they attend all the courses, workshops and sessions selected and actively participate in discussion with workshop convenors, colleagues and presenters. Additional events, including cultural visits, group bonding sessions, art presentations might be scheduled during the week. At the end of the Spring School, students will present their project in relation to their research and the workshops they have attended. The presentations will be discussed by lecturers and other students.

Costs

No fees are required from the participants. The organizing team will provide accommodation from March 29 to April 4 and a number of lunches. Any cost of visits will also be covered. Travel to and from Athens is not covered by the organizers. We actively encourage you to ask a reimbursement for your travel expenses from your university.

Application

The application comprises the following five (5) documents in pdf format, which will be directly uploaded to the plateforme Missions before the 5th of December (12:00 Greek time):

  • recommendation letter
  • letter of motivation (max 2 page)
  • Curriculum Vitae (max 2 page)
  • brief presentation of the PhD project (max 1 page)
  • title and short description of the foreseen presentation during the seminar (max 1 page) Mode d’emploi de la plateforme Missions (in French).

Contact: dir.moderne@efa.gr

The selection of the participants will be announced by the 17th of December.

The First Century of Photography: Photography as History/ Historicizing Photography in Ottoman and Post-Ottoman Territories (1839 – 1939)

Bogazici University, Istanbul, 22-23 June 2018

Call for Papers (Deadline: January 8, 2018)

We invite paper proposals for a workshop that will investigate the first one hundred years of photography in Ottoman and post-Ottoman territories, especially the Republic of Turkey but also the other successor states created out of the progressive dissolution of the empire (i.e. Greece and Balkan States, former Ottoman Middle Eastern and African provinces).  Continuer la lecture de The First Century of Photography: Photography as History/ Historicizing Photography in Ottoman and Post-Ottoman Territories (1839 – 1939) →