Archives par mot-clé : art

Experimental cinema/documentary, New Media, video art from the Balkans

Proposals: June 15 2022

Papers due: November 15 2022

In the late 1950s and 1960s, experimental cinema in the Balkans developed away from the mainstream despite occasional official support. Experimental cinema often originated in so- called amateur film, and flourished in numerous cinema clubs in all major cities of the former Yugoslavian federation. However, the cinema clubs were also part of the socialist project of spreading art to all layers of society. In the 1970s artistic activity and forms of provocation continued to be produced clandestinely despite the reinforcement of censorship of Marshal Tito’s regime. The “New Art Practice”, a generation of artists active in Yugoslavia in the late 1960s and the 1970s, practiced experimentation in art, turning the traditional studio to artist-run spaces, creating multimedia performances in the street, as well as experimental publications. The concept of “anti-films” thrived, especially supported by the Genre Experimental Film Festival (GEFF). With the Yugoslav wars of the 1990s, cinematic practices branched out to a questioning of memory and identity, often through an ethno-anthropological gaze. In recent years, questions of ethnic identity remain relevant, but experimental cinema has expanded into diverse forms and subjects – gender, ecology, a return to folk mythology among others. Much of this has been approached through contemporary technological explorations of digitality or analogue media. As part of its 2022 Balkans focus, the East European Film Bulletin is preparing a special issue on experimental cinema, including experimental documentary, video and moving-image art and new media.

We are looking for essay-length contributions that should discuss current and past trends of these art forms in the Balkans (or of Balkan artists from abroad) and/or contributions that focus on the work(s) of a particular artist.

We are particularly interested in discussions on the work(s) of: Marina Abramović., Neša Paripović, Sanja Iveković, Dalibor Martinis, Maria Kourkouta, Marianna Christofide, Goran Trbuljak, Igor Toholj, Jurij Meden.

Publications should be in English. Proposals should be sent to editors@eefb.org Stylistic guidelines for essays published in our journal can be found here : https://eefb.org/contribute/

East European Film Bulletin | 22 rue des Envierges, 75020 Paris | Facebook | eefb.org

Samim AKGÖNÜL, LA MODERNITÉ TURQUE ADAPTATIONS ET CONSTRUCTIONS DANS LE PROCESSUS DE MODERNISATION OTTOMAN ET TURC Études en hommage à Paul DUMONT, Istambul, Isis Press, 2021 (265 p., 25$)

LA MODERNITE TURQUE ADAPTATIONS ET CONSTRUCTIONS DANS LE PROCESSUS DE MODERNISATION OTTOMAN ET TURC Etudes en hommage à Paul DUMONT

 

 

 

 

 

 

 

 

 

Sommaire :

Anne Bandry : Présentation
François Georgeon : Avant-propos
Samim Akgönül :  Introduction

1ère Partie : aux sources de la modernité ottomane
Ragıp Ege : À propos de l’universalité de la modernité.
Paul Dumont : Entre modernité et tradition : les chemins sinueux du changement dans l’Empire ottoman finissant
Erdal Kaynar : La question du légalisme dans l’histoire ottomane et turque
Zafer Toprak : Le Droit des femmes et la modernité en Turquie

2e partie : la nation turque : ethnique, linguistique ou religieuse ?
Samim Akgönül : Laïcité ou laiklik, fondements contradictoires de la construction nationale turque
Johann Strauss : Langue et modernité : le projet oublié de Ziya Gökalp
Stéphane de Tapia : Turcs et autres Türks Frères ou cousins plus ou moins lointains ? Ou quand le nationalisme brouille les cartes dans la grande famille Altay
Barış Özdemir : Le Tengrisme dans la Turquie contemporaine : comment l’ancien peut représenter le moderne ?

3e Partie : À propos des vecteurs de la modernité turque : Science(s), langue(s) et art(s)
Daniel Rottenberg : La modernisation de la médecine en Turquie
Elvin Abbasbeyli : Les activités de traduction comme vecteurs de modernization
Besim Dellaloğlu : La vision de la modernité dans Histoire de la littérature turque du XIXe siècle de Tanpınar
Elif Dastarlı : Avec ou sans l’Occident ? La peinture turque moderne au seuil de l’individualité 

Samim Akgönül : Conclusion